Art Term

Magic realism

The term magic realism was invented by German photographer, art historian and art critic Franz Roh in 1925 to describe modern realist paintings with fantasy or dream-like subjects

Giorgio de Chirico
The Painter’s Family (1926)
Tate

The term was used by Franz Roh in his book Nach Expressionismus: Magischer Realismus (After Expressionism: Magic Realism).

In Central Europe magic realism was part of the reaction against modern or avant-garde art, known as the return to order, that took place generally after the First World War. Magic realist artists included Giorgio de Chirico, Alberto Savinio and others in Italy, and Alexander Kanoldt and Adolf Ziegler in Germany. Magic realism is closely related to the dreamlike depictions of surrealism and neo-romanticism in France. The term is also used of certain American painters in the 1940s and 1950s including Paul Cadmus, Philip Evergood and Ivan Albright.

In 1955 the critic Angel Flores used the term magic realism to describe the writing of Jorge Luis Borges and Gabriel García Márquez, and it has since become a significant if disputed literary term.

  • Neue Sachlichkeit

    Usually translated as ‘New Objectivity’, Neue Sachlichkeit was a German modern realist movement of the 1920s

  • Neo-romanticism

    Neo-romanticism is a term applied to the imaginative and often quite abstract landscape based painting of Paul Nash, Graham Sutherland and others in the late 1930s and 1940s

  • Surrealism

    A twentieth-century literary, philosophical and artistic movement that explored the workings of the mind, championing the irrational, the poetic and the revolutionary

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